Saturday, 7 September 2013

Society operates with two tradition of romance is a scenic side-by-side and as you can teenage. Exceeded-mind to bound.This charm is compatible with love and time and again into romance. No love school. Some “youngsters”  love in the street indiscriminately continue and offer examples of romance films in Indian society is driven by the thinking of our hero on the screen.-most of the country affected by the savvy approach couples romance directed by Manish Sharma climbs sidhiayan. Jaideep Sahni text “Shuddh  Desi Romance” these  between  both traditions.

“Shuddh  Desi  Romance” in the background of the Jaipur city is like the story of the play screen is hanging behind the city looked like a character movie.. ' Ranjhana ' we saw the throbbing Banaras. “Shuddh  Desi  Romance”  story of any city like Jaipur. Author’s focus is on more roles from the city. He Raghu,  Gayatri and Tara from the point of view of the screw and twist to it.

Three roles of the  Atmakthan  make it clear that “Shuddh  Desi  Romance” from the heart ' is written instead of this manipulation where loose screenplay., there appears in the film duplication. Revenue for  foreign films romance. thrive on Earth love overseas specializes in revenue showing films of “Shuddh  Desi Romance” is to turn to the side of the movie characters are normal human beings have failed in their life out in panic. Any criticality trembles from the dilemma instead of combat situations.  Raises the  portion of responsibility as soon as they marry. Love & romance evaporated.

Gayatri Raghu and talk-behavior and decisions we glimpse of today's youth. love don't feel them, but having them in the name of marriage fever. Many of them love Arpan, but marriage lacks dedication. Writer-director both of love and romance today (boy & girl) is seen and assessed aspects. Once Raghu Wedding Pavilion is run by and for the second time from which these two Gayatri Tara. He is madly in love life balanced and insightful. Other  than  Goyal  (Rishi  Kapoor) also commented on their attitude and approach are they do But do keep your party rotund appearance is no indication.

Love and romance of youth's wavering and vague attitude in the movie depicted well. good thing that  “Shuddh  Desi Romance”  in yuvtiyan decisions. They are free. The family or social pressure to achieve economic independence from them is the other freedom too. “Shuddh Desi Romance” trio of character are trusted and our surrounding their things, Interactions and nights we thought of today's youngster.

Pariniti  Chopra  into a cohesive new generation actress. She introduced the  Gayatri effortlessly. Pariniti  does not act is typical of the reactions, eye movement. Small and reveal his sense of  haseen  grin. Raghu  durbaltaon  Rajput  Sushant Singh on his characters dealt with the role in the film they have aligned nikhre. Declares its debut of the camphor are hypnotized But acting is the capuchin.

Film  songs-music and theme.  Jaideep  Sahni  Kabul in Hindi films songs Groove. They seem to communicate and arrange over the exclamation.


Tuesday, 3 September 2013

Movie total makes it clear that producer-director an event without a predilection to Suhail Tatari. Based on true events, many directed their realistic TV shows to not hard. This time they almost two hours was an effective story shown. Its purpose they are successful in this film is fun Because romance and comedy. The film Blues. Increased depression.

Medical doctor's negligence and money game in which we are all familiar with. Healthcare has become a lucrative business. Dr. Asthana (of Menon) own a profession efficient, but due to numerous commercial mindset tend to ignore their talent needs convincing Ramesh (Arjun Mathur) my girlfriend RIA (Visakha Singh) with the purpose of their hospital internship learning. In the initial scenes of Bhidnat becomes apparent that Dr. Ramesh will open soon a Asthana pole.

Hospital in a normal operation of  Dr. Asthana Ankur Arora's negligence and arrogance than murderous. Ramesh goes to the roots of the death and take the case to the Court. The writer-director team shoots Aurora murder case on ' medical negligence ' is also keeping potential . Medical Propheshan aware of individuals may see some factual mistakes But the facts would not entertain visitors from Navakiphyat.

The film exposes the duality of medical Propheshan is the duality of the two with Ramesh and RIA end. Ankur Arora's mother and her colleagues in collaboration with Vikram Bhatt and Suhail tatari have shown new dimension relationships. Ankur Arora's mother in tiska Chopra janchati. Young actor Arjun, Mathur ,Ramesh disappointed in the role of Vishakha Singh just miserable and Duvidhagrast live. His character can be developed a little more. Film a central character of Menon, Dr. Asthana's ego is expressed well in his  kind of pause and elation.


 Mumbai's Police Department has had four officers responsibility that they terminate the ongoing gang war of Rlda Andarav town peace-peace in this objective in their style, a reasonably successful, but came from the CBI Delhi's top official investigation reveals a few more things than investigation. Politics and Andarav are strings of Rlda appear.

Politics, crime and several films on the backdrop of Mumbai. Ashu trikha's deewaanapan's new offer ' enemy ' with some new twist and turn. He has been seen repeatedly in stories to create novelty. some are fabricated a new view is assigned to main character experienced charecters. Drama and action levels have increased from its ' enemy ' still limits passed.

In this film, although several characters, but look around story of the Mukhtar. Mukhtar in Zakir Hussain best actor his best performance. They are simple, good and bad are also spot some new tax. In their character which the writer-director has worked hard.

' Enemy ' Sunil Shetty, Gemini Chakraborty, Johnny lever, Menon and Mahaakshay to his roles vibrant bumper. Johnny Lever acting in different roles from his habitsbaz. Of Menon and Sunil Shetty appeared hard. Film Gemini and his son Mahaakshay were given special attention.

Where the father Gemini, son mahaakshay everything is easy in every scene do. Eighth-ninth decade culminating in the style of the movies stunts of Masala films audiences even today. They film Bhaegi, but some better use his talents to Ashu trikha's deewaanapan depicting subjects.


Director Sanjay Gupta that have been fractured and be dead from heart failure should show his story Surve's jubani. Carotid Surve was killed at the beginning of the ninth decade a gangster. Shutaaut the same writer-director at Kurla gangster and join spicy killing events. IN addition to the names of all carotid Surve changed roles, but the film propaganda during and prior to that unit turned out from all of the news that the film is actually David Dilavar Ibrahim Mumbai's initial story of gang war and encounter.

Get started in a few scenes of middle-class family aspiring young man following carotid. Changing your carotid studies mother cherished life. his longing then suddenly changes when he killed big brother step motherly treatment meted to save lives by an accused is assumed it is rs5 penalty.

It is the conviction of rs5. Killing of big brother in jail after he joins the world of well-prepared crime happens here his brushes from the Hksar brothers gang war between police officer Aphak, who want to draw around Mumbai to perpetrators. encounter for carotid and choosing arguing in carotid Dilabar unclear. Environment and background writer-director rich abusing co-star, firing and violence scenes which opportunity. Writer-director is the eighth-ninth decade these scenes films shot in the Stayal. Order of music and events and pash rrva illustration that reminds me of the films of the Kadar Khan of communications.. each character is speaking dialogue i.e. "dialoguebaji".

Come to meet his girlfriend in prison carotid lore says "capture you age, sentence I am suffering." according to rest their background roles are similar dialog in addition to writer-director sex and violence. Pornography also resorts. in addition to the lore of the carotid and two beds, three item song scene Priyanka Chopra Sunny leon on the provocative, Sophie Chaudhary way shot.

Go to brothel and call hobby of carotid. Writer-director has found good excuse. Angadikhau hot presentation these songs and style Director of clear. Sanjay Gupta general audience want to take advantage of the sexual glands. Shootout at kurla remained at an ordinary film "underworld”, including sex.Spiced mixture of violence, pornography and is the eighth-ninth decade in movies.

Twenty-five years after presenting his film in the same tradition by Sanjay Gupta., communication and Visual structure in the presentation with a clear impression that round. John Abraham and Anil Kapoor roles hard on writers more. them good space. John Abraham, brings his entire hard and hard color. Anil Kapoor's role and act both potential. the rest of the cast Manoj Bajpai in a small roll with your abilities. Sonu Sood appear vulnerable due to come with them and their limits.


Two decades ago there was romance and life of the partial Aashiqui somewhat and was thinking all that boisterous. love and could achieve something and victorious in partial Aashiqui-2's is a romance and life purpose. this time too boisterous love. it is the 21st century's second decade. this time we can't imagine of a romance .So naturally, 2. film Aashiqui hero desperate antics frustrate us.He is not victorious has raised for his move your mashuka. the rational so hargis. he does not inspire the Blues to us. Mohit Suri, sad love story into the 21st century. in this story are in the tradition of sacrifice and sacrificing touch, but what happens today or maybe?

Rahul's career came in the boom is on the irritable and surly ups. the loser cast their insecurities like treats the Atmahanta miss him so, but has lost the necessary dedication towards creation it seems influential voice of the ascending it is trying to get to the right place is to look after the Affairs of dramatic film. their insistence the success succeeds As well as its difficulties started.

Two or three shots also like vanity movie. we see that man ascending to their love and give career promise. Rahul realizes his blunders, but like any addict, he is also vulnerable moments dig this Aashiqui 2 hero we cut. his last decision we are exasperating.Mohit Suri has Rafiq of the 21st century Shaguphta sad love story for Aditya Roy Kapoor and Rahul Kapoor. reverence and ascending one of their roles is the newness novelty came after interval both attraction. we playing the role of Aditya ... appear in loopholes. actually it's author and Director of the success that we see in the deficiencies of character actors. Aditya's life And disappoints us disorganization of thinking.

 Despite the dedication of reverence real the second decade of the 21st century it seems uncomfortable in the environment raises the question whether success in mind touching a girl my boyfriend can sacrifice everything seems incredible, but what Aashiqui-2 every Premkahani incredible. Hindi films in the tradition of the Blues and a pre-independence tragic loser? Premkahaniyon. moving on the same rut Aashiqui 2. Additionally Bhatt camp films Wasteful repetition of scenes too nostalgic.

Aashiqui 2 songs-music story boosted chances lyrics to be away of chemicals before. background ready. theme song-like you're enjoying that highlight the love of Rahul and ascending.
A few years ago, film producer, Director or actor play safe bets when you launch your son. trade is a story based on the formula selected, hit that more and more people like. this hit song, fighting, little emotion and comedy so that new hero/heroine quite complete package passed now round eye.But some people still stranded there.

Girish Kumar, the son of Kumar Taurani tips "Ramaiya Vastavaiya" began his journey as a hero of the 'Ajmai Taurani' was thousands of times for his son's love story film directed by Telugu film ' Prabhudeva. 'Nuvvostanante Nuvvostanante ' Hindi Telugu movie remake, while it ' I loved ' was affected by that that story this has squeezed the juice of sugar cane so that it starts from rest. This is the last to know what's going to happen next.

"Ramaiya vastavaiya" directed by Prabhudeva. such successful films in Hindi he wanted and Raudi Rathore. how spices should be presented this work them well. these two films was the presentation of the same stars Karan where freshness was also, but two things are missing from" Ramaiya Vastavaiya., according to today's round changes Prabhudeva. College reading-heroine to clay horse See funny little plays with.

Start of the film starts with overreacting and that moves the end love story in hero-heroine seem wanting each other, but the wall economic asymmetry. Australia in hero who lives in the village of heroines and didn't work, his brother asks for the hand of heroine.

Heroine's brother says the hero's mother is insulted by the farmer because farming more grains to produce heroes show. cow-Buffalo dung soaked in mud and the clear hero takes this stake to win it are fed food tart every day why it is beyond understanding the flat are also putting some story-turned-villain since fighting seems to be stalling on the comedy scene.-moving Jokranuma Activities. it appears that fifteen years old watching movies.

Director Prabhudeva as some original thought and not the default formula film. Hero-heroine's love and pain do not realize the audience. Sachin-liver took good live music is ' just as there are one or two ganen who hits.
Girish Kumar the hero talk, for whom "Ramaiya Vastavaiya" movie has been built has been the hard work behind. Girish cleans her reflection that they want the artist to become a star instead of the stars-star also.. He appears normal. dance and fight rectified. to them for acting hard, And they can accomplish their dream.

Shruti Hassan beautiful and good acting too. this film got a chance to show them something. Girish benefit, benefits of course this movie Shruti. Hero weak, supporting cast upon hard. Randhir Kapoor, Vinod Khanna, Amitabh Bachchan, Satish Shah, Poonam Dhillon go VindZakir Hussain, Nasser, like many artists, but a powerful role as the heroine's brother is Sonu Sood are influential.
Ramaiya Vastavaiya "fifteen year old" large choose typical Bollywood movie.

Sunday, 1 September 2013

Whenever any leakage already formulated its Director running path of trying new genre chooses, we already begin to question what is needed? Our habit, we have seen tough for himself and not leaving his Beloved of filmmakers thinking, no changes in style and subject‌ want. The prince Gupta ‘Ghanchakkar' such a surrounded by doubts. He and his courageous step like two old fundamental efforts successful is trying this time also? meaningless laugh of comedy means we trapped in conditions or understanding story. Of the 21 st century Ghanchakkar comedy new age. Preeminence, conditions, maintenance and in formulation from tradition and contemporary Ghanchakkar 'prince Gupta, Hindi cinema shown that new expansion on the move.


Ordinary C story. Marathi Sanjay Aitareya Brahaman Imran Hashmi and Nitu Vidya Valan husband, wife ‌you. Both of these deflective marriage. Due to his differences them remains. Both of each other while tolerate the atrocities are discharge of marital Love between them and confidence. Questions of employment and do not come watch bore they answers Marathi quality of her husband slightly lazy and loose lazy person, whereas a stone punjabi ‌wife fashionable and Hyper. In open lock and was assaulted a Ustad Sanjay alias Sonju offer, getting sum of theft which he would get 10 crores from Wife was in the hope of better life Sonju consent from theft. Pandit Rajesh Sharma and Idris Namit Das with his cooperation and. That fixed amount of theft should be given three months hidden When things are silent, then division of share. This after consent Sanju in memory of an accident. Remember the Sanju suitcase does not keep where. Pandit and other hand Idris think that in the minds of Sonju shortages. All these separate Nitu fantasy their lives in the world. Story begins from here and a powerful twist ended with.
Praise of Prince Gupta will have to the story that he suspance maintained to its opening. Slow pace of the story never certainly fast and sometimes, but not missed catch of Director. They Imran Hashmi and learning of Balan full support. By the end both his films in artist. Continuous success of previous films and especially despite image and reputation both by the artists 'Ghanchakkar' remarkable selection of bold step.
Different from its image Imran Hashmi a weak, and the neighboring preeminence simple primacy to promise. Vidya Valan that can be said about. He Nitu purdah with feature presented on its. Nitu expression’s  of the successful. Many times knowing by Punjabi slipped from his conversations. Rajesh Sharma and Namit Das carrykechar remained silent from their shield them maintained interest. Film artist came last in scenes with his role not impressive.
Rajkumar Gupta, everyday life in selected humor. Comedy of this film come from reality and real depiction of black comedy seems overlying. In some dialog and scenes story of lack confidence. However Prince Gupta, with the seriousness and Innovation remained silent Rishis and composed these deficiencies, they are covered. In this they Imran Hashmi and learning from Balan helps.

Film songs in use of music. To keep pace of the film in Western‌ contribution of music.
It was drizzling while coronation ceremony of the films in small Monsoon is going on. 'Chor Chor Super Chor' of Delhi mayapuri area network of film. Shukla been nourished on and taught them. It to one of them not good Satveer disappear. It is no work consi-dered a want to.
Beginning of life with their colleagues while separate killed were Neena Devi & its eyes on them. He killed were Neena Devi & love. From your simplicity near the killed were Neena Devi & is realized, it is a large speed. The successful even its speed. Shows that Satveer sensible and layman.
Director Rajesh of Delhi without the life of streets leads it by fanfare. Ordinary role in the film and all of them small wishes. These forceful personality impressed itself depicted the Director has interesting manner. Instead of singing in the film some unwanted can be added, strongly visual rise of the film declines.

Deepak Dobriyal reliable actor. He script and limits of film narrator despite maintained. Election of associate artists better. The Director of help of all. ‘Chor Chor Super Chor’ in super was exceptionally good natured, but also a bought.
The Nikhil Advani's 'D-Day' and India's national dream of publicity was neglecting. hiding in neighboring country a most wanted terrorist alive hatched to India has been a fantasy. Four main role this fantasy Indian. They Karachi city of Pakistan terrorist Iqbal alias Goldman to bring risked life and feelings. Their interest, love and courage, but is proud of the film in scenes last Iqbal's conversations that is evident from the film writer-director of the thinking? glorious beginning of film, but by the end with no political understanding-nth who was very eager film.
The most wanted American agencies Osama bin Laden was shot down and then formed a film on the 'Zero dark thirty'.  India's most wanted we do not get any clue, but we had to bring India was neglecting or that have made a fantasy and took Happy India's most wanted‌ present condition of the country and on what thinks? It is heard in climax. Certainly the author-Director has now decided that what seemed Iqbal? speak he speaking barkha, Rajdeep and Arnav name also like takes political TV journalists. All efforts by coming here ridiculous and lax. That he was stopped while criminal It also cannot say that a film on me again wounded and all Film Critic review RFC
D-Day is a fantasy. India's most wanted hold to India's national dream DIRECTOR Nikhil Advani has completed in film. For the mission on behalf of raw four persons are appointed . Long round in Karachi. They most wanted to besiege of reaching regimen and about you not ‌are engaged in The news of newspaper lose a few scenes and incidents has been converted into. These four persons them adjusted. Chance that Indian raw agents in foreign countries, Pakistan are secret mission on tend to love girls. Here, storyland of Pakistan. Both love hero. One of the whole family and the second is a bus from tavayaf love. They love in its mission analyst does not forget to cast the Mission and emossion tossing between him entangled in actind performed. Irfan, Arjuna cellphone, Shriswara and Shruti Hassan, writer-director of the wonderfully fulfilled this responsibility. Of their ingenious film itself acting theme damaged in thriller Koi Hai were main force, because this I Spy is going romance, commitment and love has been imposed. Therefore weak Huma Qureshi are lying in this mission that they love to do not been shown. Already married his has been using jhi and it was said that because of his marital duty in danger.

The implications such 'D-Day' due to ordinary film. In this simple film Irfan, Arjuna cellphone and other ingenious suit extravagance of talent of artists. Question that only most wanted to bring the audience choice story of not come? Writer-director weaken the dilemma of film itself.
Anand Gandhi's 'Ship Of Thesis' film. Some aspects of his life in philosophical style of presentation left with question. The question of human life, unanswered and touch the story. Art in films for viewers requiring Kiran Rao is of artistic souvenir. Lyrics than anything elsea lengthy and structure, Silpa and Anand Gandhi in Hindi and presentation of art film directors from tradition together. Try their this bold is laudable, because at present 'entertainment’ Hindi cinema has become synonymous 'entertainment’.
Anand Gandhi path of between not made of choosing. They artist in their style. For viewers to woo acknowledges in this film or nothing. Basically Three stories from a source of the human dignity spanning the film, existence and nearly natural questions.
Qusai, we see story of maitreya and innovative. At the end of the film shows that, and even eligible, whose stories ignored. In this world are changed man inventing even if is changing. There is nothing static, but everything unstable.
Ship of Thesis component component after to change the question was raised whether it is still thesis ship of all those spare parts and whether the new emphasis, he made ship of thesis? We sense in their life, consideration and organs transplant. After this process whether we are same same of or any new form to take? If new form of original do noun, whether he can be given?

Anand Gandhi's 'ship of Thesis' scenes fast speed of the audience choice would not accustomed Of this film for unhesitatingly patience and dedication necessary. 'Fast & hood' kaisokin audiences also should see that the film slow-, stable and beauty culture with a mixture of what Anand created?
To attract viewers and theater to bring in has increased so much pressure that most film more than his film its varnish, Poster engaged to focus on and promo. He vested in this attention seduction, which is opening the audience for collection and weakand theaters drawing in. Rakesh Om Prakash Mehra also have been pressure, but an honest Film maker of his generation he connected to film from taken honest simplicity.
It is clear that this film Jeev Milkha Singh is not autobiography or autobiography It is a story of vigor and resolution, which is working hard, full will power and dedication. Milkha part motive' film 'part. It viewers of all ages in view and call Milkha Singh. We Flying Sikh Milkha Singh also knew by the name. This name they President of Pakistan Ayub Khan. Solicitor-general is that after Partition, with the washing of the Kalus Sauhardya love and with the objective of increasing Jawaharlal Nehru and between both the countries Ayub Khan tournament was organized Because of past sting Jeev Milkha Singh has already refused to Pakistan, but on the insistence of Nehru were Pakistan In this visit of his mind pain. The childhood friend of man of the statement, not field field field conditions are evil.
The minds of disorders of Milkha awaits. In the beginning of the film we see that due to the sting of this past Jeev Milkha Singh couldn't win Olympic medal rome That may Jeev Milkha Singh came in the minds of after thought or Rakesh Omprakash Mehra and their defeat Prasoon Joshi also are trying to relevant. However, we Milkha Singh vigor and are inspired by Look into Jeev Milkha Singh, after independence, which are representatives of those youth dreams of Nehru era with increasing on behalf of non target.
According to the film first Beeru, then milk and eggs, then Indian team blazer Jeev Milkha Singh for his life a halt to cross. In this visit sister Isri always there. Jeev Milkha Singh's sister Isri Bhawoderk of wet eyes in many scenes. Of happiness and our sentiments Isri also  throat. Jeev Milkha Singh came in life's Military Chief‌ both coach and he.Prakashraj the Ustad in the role of acting masters. Coach to both wonderful Milkha and free interests exemplary dedication. Thinking of players have, is thinking of vests and mold beasts panted it.
Prasoon Joshi has very effectively beauty and partition of the country in the film dough. Jeev Milkha Singh victory of race for runners-defeat with also life continues. Prasoon Joshi flashback crafts and then it from an interesting dimension to the story. Milkha character of our interest in. We aspire for victory, but also want to know other things also. Writer-Director has to these want’s small sights, relations and ramifications.
Collaborative artists of this film mentioned the first. The role of life Milkha necessary sister, both coaches, Beero and other friends etc. have become necessary for the film. These remained silent late Divya Dutta, wind Malhotra, Yogiraj Singh, Prakash Raj, etc. Especially late Divya Dutta and far-reaching affects coupling wind Malhotra. Both actor really any age, the character of disposition and community life.
To this film Farhan Akhtar, the artists of his generation before new criteria has been set up. For real or imaginary films Artist's hard work and dedication this new bench marks. Milkha Farhan Akhtar, the external forms of internal sour with assimilated also. They finally Milkha Singh remained from the beginning. The artist became child Milkha appropriate for the ground.
Milkha part' 'part mainly track, Stadium, race and Sports related design of other scenes. Cameraman Binod Koijam choose angles of Pradhan has scenes in screenplay and their introduction of creative imagination. We are baffling camera that how and where can be kept. Song-music theme of the film. Some songs were ordinary members to hear, but they come with suitable scenes feeling sense. Milkha tossing between the enthusiasm and also Prasoon Joshi motive word.

Milkha part' 'part in the Nehru era an ambitious dream of youth front, which is story wonderfully Rakesh Omprakash Mehra has the viewers with the environment and society. The film Kishore and the audience must see young-should show.

Saturday, 31 August 2013

If you are in small cities, towns and villages are not Ranjhna Kundan fool' and a child will take you will not been overwhelmed by her love In the 21 st century imagination of such a lover can enjoy Roy. Selected for her city of Banaras of the Mumbai and Delhi on the streets also there, but they can get lover out of eyes of cinema. Banaras separately color-pattern are noted filmmaker show Their Carefree 'Banaras' ' Ranjhna, musth was present with and enthusiasm. Kundan, Zoya, presents a picture of P. Murari, Kundan parents, Zoya parents also Banaras and the remaining streets, temples, Ghats and in the film with Prawaman Ganga. ‘Ranjhna' character and context of life of Banaras slow dynamic which depicted with its brightness. The city in cinema as a role and understand interested in view for Visitors' is a 'Ranjhna' text. seductive glimpse of Banaras in film.

‘Ranjhna' of Zoya Kundan and unique unfinished love story. Pray in childhood of Kundan Zoya in Namaz of bonafide. First glimpse Zoya in it appears to be beloved. Precede with age 16 slap even after it not kundan, wrist cut in front takes in passion. Kishori Zoya does not understand its revelations He her neck. Kundan one sided love this clearance for, while selling of reaction Zoya However, father of Zoya news to reach. First Zoya’s fuffi Aligarh near is sent. Further Reading from there for the J.N.U. goes. Its Zoya section with corbels here Banarsi waiting for spent day. Zoya returned from J.N.U. consul, again. Only Zoya things things J.N.U. her lover tell. ' Ranjhna ' from here Hindi films is no love story of the common.
Many poets Kabir from love, love, love the feelings of different forms and expressed in words. Kundan of Kabir for love of this line would be of love, "Do cup which, Sheesh present arrear dues on revision' their Zoya Kundan to some extent can be for. In the truest sense it practical and intelligent. It Zoya, love song, "Saudi. He remains in the same Rama. The P. Murari gets his friend troubles of childhood friend and does not present a picture of love Zoya to achieve its objective. Curious feature of his love. His heart was stuck in the middle of the chest, therefore it does not pain left or right
Anand Roy to think very beauty and the character of Kundan rishis. The rest is reflected their thinking also in films, but Kundan outstanding. To understand the nature of Kundan this names the literal meaning and also understand Syndrome  Hero in Hindi films so much of appropriate name had heard after long time. Only the name of his character definition. Kundan Houy sleeps 'a political activist'-Holy metal gold after beasts panted in the fire also called Kundan. From this point in present society hero had been tested in love Kundan. He proved it from their behavior and work. In the words of romance Ranjhna ' 'not can be tied, because kundan, Zoya, Akram, P. Murari, presents a picture of films along with other difficult description of    expression. Film to see, they can be understood. unhesitatingly can be taken.
Students of J.N.U. Life, politics and Akram's in character work simplification Anand Roy. Students of student politics and J.N.U aware of life for viewers relatively cinemai these incidents of independence deep support. Anand Roy's objective in politics students had no deep slough A reference he has taken, but it depiction statement and they depend on notions. The context of the film, but also slightly progressed despite an imaginary and unreal 'Ranjhna' effective original story. The scenes of Varanasi in son of pandit emerging in the form of intensive lover. In love and then Kundan like.
In the role of election of Kundan bow Anand Roy's largest efficiency. Kundan bow acting Nirmal and clean the role of Priya and reliable. Sonam Jamtsho headed home in our borders Kapoor best able acting. Screenplay and Director of has helped. P. Murari and presents a picture of Mohammad Zeeshan Ayub came in small roles and the film song Bhaskar necessary Banarsi inserted. Kumud Mishra and Vipin Sharma also remarkable contribution.
‘Ranjhna' song-rhythm of Banaras in music. Irshad kamil rich khosrow in the style of the sayings and used soulful. Listen to attention song sense of touching and meaningful. Its sounds and A.R. Rehman sound the subject matter in organized and use.

Author of Ranjhna Sharma course additional Thank you He of Benares color, taunting, reminiscent trend scenes and characters, words and sharply landed in conversations.
Major artist: Ranveer singh, Sonashi Sinha
Director: Vikramaditya Motwani
Music: Amit Trivedi
Star: 4.5
You with any aspect of 'predatory' mentioned. You will find that whether-unwanted its commitment and delicacy you’re soaked. This love story is definitely there, but he cheated straight. The Vikramaditya MotwaniAmerican writer O Henry the story of his story was least aware of the Qur’an leaf to say. It is not accept and understand that 'predatory' painted on the story film. Vikram of the sixties in the background of Bengal an interesting and dejected choose love story. The story is also depression, but he does not unhappy like Devdas' He remained silent spectators of catharsis and finally the aesthetic of heat. In their second film director vikram simple and concentrates to indicate. Tangible hope themselves.
Bengali environment, lighting and conversations directly from Bengal we access. Vikram very beauty Manikpur given blow from reached without. Heroine of the film เคชाเค–ी Roy Chowdhury (Sonashi Sinha) the way to handle with his father helped are room, almost the same handle the audience in his film, Vikram. You are forgetting that a little time before you come in theater of 2013 were facing the problems traffic Remember that you also is not the pockets of mobile and you must see the unfairly, there is no message.
Film on earth directly stalks over of Bengal. This society we Satyajeet remained silent and its number of opinion in films have already seen. Roy's style Satyajeet Vikram here normally uses and timely faced by his films. Again we Hindi Hindi film cinemai conversations in the world. 'Kite' pins and needles period and environment. Certainly for this film and production was wearing silk designer suit and his costume was wearing silk designer suit and his other technicians Samat also like to thank the buck stops with their eyes touches the film integrity.
The film's father Bhelo Pakhi story of a king of tells which Similarly Hornbill resides in life. The relationship of life Pakhi leaf becomes from. It is interesting instances of the film. Of life Pakhi quiet and lovely in any prince charming ghati (Ranveer Singh) entry. The minds of sudden Pakhi Hilore of rising in the lake seem static. Of feeling delicate Kople lustre that. Nychthe Pakhi’s father also for her daughter's promising and proper.
Everything formula of both knot-tying begins preparations for that field that takes turn after a film. Vikram story and characters from here and in the off-take different direction. Others with two major artists he also show utilising given opportunities.
Vikram of the 'shaver' Sonashi Sinha and Ranveer Singh's career will continue Notable films of All these days of films in IQ  fading alleged entertainment. Here two young talents in a film of his genius to show deep got the chance of. Look into its previous films, Ranveer’s characters of Singh in the expansion of disposition, but this time his character complex and entangled in conflict. Ranveer very ease nychthe alias Nandu alias mystical Tripathi the character of promise. In respect of Sonashi Sinha that is with the support of popular stars box office he pinnacle of heroine. Critic will accept their 'shaver' in that he adds his sense and have highlighted the talent. Vikram of film cut and placed. The Pakhi Sonashi has lived. Other notable artist also.
Father of Pakhi zamindars in the form of donation Varun worth mentioning. Films in Hindi films to tell about some indication that’s why to spend. Mere presence of the Varun saving of those scenes. Adil Hussain again in an effective role. Arif Zakaria, Divyendu Bhattacharya, Moshe I.C. Massey has been appointed as Chairman and the late Divya Dutta smaller and necessary roles organization contribution. A relevant feature of this film. In view conversations film paddy at the time you will have not only The film dialogwaji. All the expression conveying feel easy in the words. Contribution of dialog writer Anurag Kashyap laudable. At the same time a particular view of the film of Baba Nagarjun poem, famine and then use of Hindi disposition it. The two films in all the languages of sense a pay for bringing land writer-director poems are using. We also in English Hindi films or poems of hearing. Anurag Kashyap Baba title of poem "for many days chulha frame, Mill is Pakhi dejected' of love and communication between ghati. Use of poetry of Baba team for additional congratulations shaver
The film songs music and should be referred to the cinemaitography Amit Trivedi and Amitabh Bhattacharya has pair of soulful and actual music. The voice of Thakur Monali only for boarding' of the suitable sound. In Photography Mahendra Shetty precise beauty and vision film refine.


 It is being told that he added in the film some new view and its scale increase. Story of the film and the Kenya wildlife is also provide philosophy. It was in Tamil film hit in Hindi, but it chances of a choice of viewers less.

One of the film negatives clubbed together all the role of shed. Sun's maternal uncle hero of film besides goodness can see in any all are engaged in a fraud Look at the end to play a cool dreaded can be seen. Desire to become rich quickly with entered in the world of Sun blackmailing . Sun (indigo Nitin Gadkari launched Mukesh) and Monica (Amisha Patel) the moves of other to defeat. Sun cunning and criminals. He does not believe in love and relations during his trickery he met from Sheri alias Radhika. A Kiss of true love Radhika feels it awarded. On the condition of Radhika all normal life leave wanted to enter, but would have been too late Hindi films told us that evil is the result of bad. We Sun such victims of evil results.
Duplication of scenes in the film and action. To create the scenes film bored continued. No indication that the disqualification of Director or film but their ultimate intervened to believe not interested Pran formed in the center of indigo Nitin Gadkari launched Mukesh film. They are found adequate view of action and emosion style intervened which they sacrifice of brother. Some actor’s acting style understands the mistake of tax is sitting. More than on guilty actor writer and Director, which do not conscious shooting them in times of?

The second goal for Dhafra shortcut' is a dreary film. Amisha Patel, indigo Nitin Gadkari launched Mukesh, divided, Rajesh Sringarpure graytal four main actors has disappointed. Worship is correct, but Gupta met limited view. Film unnecessary long. Action scenes in the ears of running from start. No indication of the film, but is ignoring growing.
This is story. It is fear.It horror film. Mixture of all this. "What is as witches were one presentation of Ekta Kapoor and huge Bhardwaj Director of branding kannan Iyer was one? Wrote it is aroused by Mukul Sharma and huge Bhardwaj He Indian prevalent in the society as witches the story given a new dimension. The mainstream fame artists to major roles over the viewers he believe that it be granted formed in Hindi common horror no film. Yes, it Imran Hashmi. With their Konkna Sen Sharma and Qureshi also.
coincidence that this film climax I have already seen and then entire film fortification. Despite this interest in film and I remained is waiting for the moment where surprise film. The hallucination Bobo ignored that it has no power is narrow. Logical magician takes the help of their psychological friend. In the past through synopsis on reaching it shows that childhood's memories fresh it is complicated. We find that in childhood tales as witches reading-reading to believe in Bobo engaged as witches. In his father's life, she he considers it as witches, whereas in the opinion of psychological step mother to accept it to such a story hatched unknowingly.  As witches was one of the story of even seems interesting and reliable. We realized that Kannan Iyer of horror films in the new world are taking. The ease of Mumbai film story of modern environment as witches in fabrics, by the end he same easing indi- vidual with Film and his arguments takes suddenly turn aside to follow the formula of Hindi film prevalent. After this it is simple. What can be had or had things like what should be within the ambit of review not even come to light. However complaint is left, why their own story that violation of film. Interval-broken before the confidence.

Most affected artists Huma Qureshi. According to the scenes he rates from the responsibility to promise. Konkna Sen Sharma, efficient actress. He proved that the role of any kind can be used in skills. ROLE OF Kalki koiclin toti and ambiguous. Some moment they have been found. Imran Hashmi must รข in different styles Different from your other films settle there was no other person Tell them of their fans kissing indication. The film special Tiwari, whole Arjun and Bhawesh Balchandani replete with child artists has helped.
Major artist:  Chopra sky, Arshad varsi, power Kapoor,  Raj Babbar, Riya Sen and glacial shivpuri
Director:     Amrit Sagar chopra
Music:       Salim, Sulaiman

In 1971 The Amrit Sagar Chopra began from. Of this film were many reasons to non Amrit Sagar Chopra, but of all appreciated creative attempt. “Rabba mai kya karu” presented with comedy marriage drama. Cannot be appreciate In the film actor of equips qualified only sea sky Chopra family. Their presence are attractive, selective, prospects, they correct script.In her married three maternal uncle and other relatives have come. Three Mama against intoxicants coincidence of their wives and they regard to deceive keeping in view believe in. If this family is at fault, how the hero left mother has been reduced? One of its heroes; however the 'brotherhood' teaches brother. In the background of marriage of hero runs Full Story. All the members of the family are unstable. Even Tau Khadus showing from his photographs also have been playing the Brotherhood'Amrit Sagar Chopra on minor subject laugh failed in trying. However crowd of film actors, but they are for all scenes Ashrad alone responsibility of pulling the film. They do not play youngest hero-heroine hope hero in themselves. Still need training in acting.




A college student(boy) struggles for survival. And A married woman is high on erotica. Their illegal relationship ends in a spiral of sex, seduction and betrayal.

It appears as society does not happen. Innocent behind closed doors camouflaged and all are of North morality and price collapse .  Director Ajay Bahal film 'B. Through this society' have g.s.. Early sex and crime He is a thriller Koi Hai were main movie like. 

Hero of the Film Mukesh (Saddab Kamal) first year old boy pursue m.sc..  Best course. lost their parents. House of aunt gloves, listening. So much money is not that favorite course. The responsibility of two sisters. 

Mukesh those millions Indian youth who represents every In below average rate - rate of food repeated rebuffs their destiny. By taking advantage of their compulsion rashukdar  people exploit them. 

Mukesh  boss of Sarika's wife (Shilpa) Mukesh eyes of. Boss's wife of the House to work for providing Mukesh. Boss are sent for to please. Those of housewives Sarika Which represents money from husbands to not tomorrow .  Romance and sex it. 

Mukesh was very scared and its Sarika of aunti age'd of tangled in the trap of .  It is getting money with sex, But he adds that he is being quicksand in cathed. When he Jigelo (Male whore) do not know that it becomes spells. At the end of film has been indicated that never carrying out of wrong path Is not good. 

So strict land of reality is that of love and confidence It is lamentations by colliding things. It has been underlined. from two Story Friend of brother Mukesh be, which is expert in chess game. Mukesh also chess hobbies.  Be it at stake in brother of chess shows that food around Mukesh psyche .  Be role of these can be understood from brother. 


It is not that all these things not shown on the silver screen so far, but Director Ajay Mohun coin story has been written by 'Railway The 'good on the curtain aunty horizon from. He in New Delhi Set the story chosen by and their locasuns is commendable 

The innocent and shy Mukesh Shadab kamalstarring best manner .  Rajesh Sharma,  But in entire film Shilpa Shukla emotions. lecherous, and frustration among the women he wonderfully Jiya kutil.



Major artist: Ajay Devgan, Amitabh Bachchan, Kareena Kapoor, Arjun cellphone, Manoj Vajpayee has cheated and Amrita Rao.
Director: Prakash Jha
Music: Salim-Sulaiman, Indian Ocean, order Srivastava and Man ka meet brothers anjaan.
Star: 3.5
Of this film in title song unfamiliar voice mail and noise impact of 'satyagraha' film depiction of streets in 2013, it is significant and important socio-political film would have been assured. The social context of Jha light films better than other filmmakers accurate. This time they raised the issue of corruption. Administration of joy of Dwarka campaign against corruption axis of this film. The rest are circulated to emphasize this axis.
Dwarka Anand honest person. Retirement from teaching have been honest engineer Dwarka Anand's son too. Son has been in the country friend of human economic generosity of entrepreneurs. Your Business for expansion of any election may. Altercation between Dwarka and human too. Son of Dwarka Anand story of the film starts with the death of. In this crime they are taken into custody. Human social media by the network for liberation clever a campaign started. Local ambitious leader Mr. Arjun and TV journalists are included Yasmeen Ahmed On the target of this campaign Home Minister Balram Singh, local administration and the Government.
Writer-Director has carefully issue of corruption linked to the country's social life. Anna Hazare movement of the common man and Arvind Mr corruption from campaign of Indians of the discussion between key subject. The same subject light of joy Jha started presented in Dwarka. To be released this discussion whether Dwarka is the delight preeminence Anna Hazare affected. Consider symbolic scenes of the film, is mainly affected by image of Gandhi. Shadow of their ideas is all over to Dwarka of joy. The delight in upheavals Dwarka say Ram, Sumitra and Yasmeen shoulders of the qur'an stand with Mahatma Gandhi in the last days (Manu and given hands on the shoulders of Meera walk), Climax engaged in three bullets on the chest ---. In addition, non-violence on fast unto the force and returning way Gandhi Jai Prakash Narayan and Dwarka are shadow Anna Hazare of joy. In fact, whenever any old political resistance will stand in Gandhi and behavior and in the view of Jai Prakash Narayan will take about
'satyagraha' in between Dwarka Anand and human relations conflict of. Impact of Dwarka in the views of a human being in change. He 6 thousand crore of property of more than hurried sharing. After the independence of the country to do no entrepreneur had not appear in real life. Writer-director in the thinking of film of Kalpana idealist is helpful. Yasmeen Ahmed ( Kareena Kapoor) Role of such liberty. That provision made for TV journalists are the single and movement of being involved in taking with seems also take decisions, while he till the end in the job. Arjuna's hard work on role. Because of vandalism expelled from college students and later on to become a leader of Dwarka stands in support of some between. Film in India in the form of liberation party depicting communal political party.. In political depiction of the film mixing ideological. For the convenience of all this film. Screenplay ably of the same, in more attention is not of common viewers 'satyagraha' in the political no clarity.
preeminence be negative in the form of truth about Balram Singh's imagination. Balram Singh's political admired in any stereotypical depiction mind of the right. In his opportunistic politicians of today. The Manoj Vajpayee landed on screed in a proper manner. Manoj Vajpayee would not loudspeakers anywhere in film They have no chemical However Balram Singh intention and negetivity on purdah succeed in unloading. In this round of talent they intensive rich actor. Age of Ajay Devgan peep into freeze-frame shot. In spite of human nature and he restrained the dilemma and emotional manner. Arjun cellphone Kareena Kapoor and disappointed. Small role in Amrita Rao affect, while on screen and living in hiding from many films.


Light of Jha 'satyagraha' in continuation of his last films. The previous films in the society they this time also the problem prevailing through some depicted characters. Story begins from family and then included in the society. In this process also highlighted his political party. Today the prevailing ding-dong battle cinema formula went to separate from a meaningful and purposeful in this attempt to make film of talents all efforts are laudable.

Sunday, 25 August 2013


Once upon a time in Mumbai were carried from the story in the same formation where the last movie ended. Imran Hashmi of Akshay Kumar, in the last part reality and phasana. ratio was almost equal to the full the role inspired by Sultan Haji. mustan's illustration was inspired by the character David was shown in the movie rise of Shoaib. There were plenty of ups and downs and gangster in the movie world of entertaining ways to present Had been.


This time the character is inspired by the real life, but in reality and fantasy have been greatly increased the percentage of cohesive that binds the story so. contained. it seems that the last film was made to exploit the success of  sequel.

Shoaib (Akshay Kumar) enemy Raval (Mahesh manjrekar) lessons to teach expats in Mumbai in his Mumbai comes complete possession of his black deeds where. Shoaib's Aslam (Imran Khan) is the favor because when she was little then put his hands on him and his life, Shoaib improved. jasmin (sonakshi Sinha) has become Mumbai heroine k. Shoaib and Aslam both die mitte on jasmin. loyalty, Friendship, favor things like rising. finally get the essence of the film, whom jasmin.
The Raval is a trek to kill enemy. Shoaib was important to show her powerful, Mumbai, were to meet more footage, but love-triangle to give more importance to the anecdote in Raval is extremely modest.

Milan luthria's chori chori early seventies and eighties of the last movie was introduced in good ways, too, but that is not enough. he single-screen audiences in the scene are fabricated, but they have not replaced properly. movie show some visual artists by the right from the original story, not the end of the movie. synergy and the audience could have been better. This film is created, it better not.

Film with dialog's, it seems that according to first thinking and then their dialog scene written music and the background of the film camerawork. top. Darling asked one or two songs that were created by good.

Akshay Kumar has a typical variety character of Shoaib mainerijm and introduced stylish manner. special thing that holding up this style in the whole film. film trailer was only able to understand see Imran Khan for the film bad casting. full movie, he buried his face buried by bhavhin.-. the emergence of his character cannot correctly from anywhere they are renewable. Bump is not worth taking.

Not correctly Sonashi Sinha's role is written and its effect Also keep a watch on their acting comes. ROLE OF Sonali Bandre and Mahesh Manjrekar small. Two Seconds There are also seen for Vidya Balan for Ekta Kapoor finally lucky which are. 

A total of destruction open again time these last film received Try to encash all over success. 
"Don't Underestimate The power of common man." It's Shah Rukh Khan's dialog in Chennai Express' many times are speaking, but Chennai Express team of made a mistake to understand the power of common man. It seems that other artists Shah Rukh Khan Idli-dosa impression the success of films and afraid see that he also tried treading In the name of the common entertainment sense edge and results kept in Chennai like Express' film come called not a entertainment engine.

"His role in the film Shahrukh lucky name Rahul, Rohit Shetty, Director, repeated the scene of DDLJ cars named after udai, comedy items, item song, but all in the name of the action is useless. are the entertainment that imitates at all. it is completely flat.


The story is very simple. Rahul (Shahrukh Khan) is immersed in his grandfather's asthiyan rameswaram. he wants to go to Goa for fun, but my grandmother to give Dodge he boarded from Mumbai Chennai express veered the next station gets so he walked towards Goa.


As soon as the train is moving, Meena (Deepika Padukone) platform was race twirls. move your hand sitting in the bogie Rahul takes increased three or four people and come back. they still help. it later suggests that he hijacked those Goons and Mina are taking the village.


Rahul is embarrassed at his blunder and Mina to reach his village in an attempt to save. Meena's father Don and other village village a don't want her marriage does not want this marriage and Mina. Rahul tell your boyfriend. shy then Rahul and Meena and don't find them Goons. visit rameswaram with both from Mumbai Many events are dwindling and love bean sprouts.


There are so many holes in this story. Rohit Shetty is typical of how they're so funny episodes the viewer ignores the shortcomings of ignor the story, but the magic is missing in Chennai express Rohit, so is attention to repeated shortcomings. for example, in the village of Deepika Shahrukh is trapped mobile have. it is called Mobile would arrange an even number is missing while how Also lapses, two-four numbers, remember.


The police did not listen to her because she is afraid to Don, but despite living in another village there does not help the police never show her father of not getting out of the clutches of the Deepika is serious.


Chennai Express is that the big flaw on one side of the Deepika and Shah Rukh Khan to leave any cohesive role. usually a whole lot of Rohit Shetty, movie roles, but Chennai Express so much focus on Deepika Shahrukh-camera in that kopht. feel the lack of roles.

Madras Cafe prove that dancing, singing, comedy and stereotype story / characters can be created without a good movie. John Performances of Madras Cafe is one of the finest performances of his career. They did as much as they could have been better. Nargis Fakhri's character inspired by journalist Anita Pratap and they fill you with their presence.

Major Vikram Singh (John Abraham) is sent to Sri Lanka under the operation of RAW Kwart. The girl with the help of his colleague Eltif rebel group's leader Anna Baskaran (Ajay Ratnam) to agree to peace or to break his group's strength is halved.

Item number in the film comedy nor the Government film director shujit reality romance. closer to keeping those things have forgotten the essential part of the success of commercial movie. it doesn't mean that we felt when viewing art film movie or documentary are but it is a thriller movie as fun.

His work suggests that he has considerable research. they roles of very smart way he added to the actual event. turmoil in Sri Lanka in two hours 10 minutes why this is expected prior to the Prime Minister's murder has been condensed and all this work wasn't easy.

Then begins a long voice over which history is narrated stock shots are shown.Name and due to a disturbing episodes, but the story opens when in the film layer by layer. nearly forty-five minutes later the film enjoy a gallop running thriller. film's climax is forced to sit on the seat sticks.

Siddhartha Basu is the surprise of the film and a Government officer's character is the best way to live. the Act of remarkable as light of Bali believed. John's wife as much scope for Rashi Khanna.

Dancing, songs, comedy and even without a stereo typed story/roles in good movies can be created, this proves the Madras Cafe.