Saturday, 7 September 2013

Society operates with two tradition of romance is a scenic side-by-side and as you can teenage. Exceeded-mind to bound.This charm is compatible with love and time and again into romance. No love school. Some “youngsters”  love in the street indiscriminately continue and offer examples of romance films in Indian society is driven by the thinking of our hero on the screen.-most of the country affected by the savvy approach couples romance directed by Manish Sharma climbs sidhiayan. Jaideep Sahni text “Shuddh  Desi Romance” these  between  both traditions.

“Shuddh  Desi  Romance” in the background of the Jaipur city is like the story of the play screen is hanging behind the city looked like a character movie.. ' Ranjhana ' we saw the throbbing Banaras. “Shuddh  Desi  Romance”  story of any city like Jaipur. Author’s focus is on more roles from the city. He Raghu,  Gayatri and Tara from the point of view of the screw and twist to it.

Three roles of the  Atmakthan  make it clear that “Shuddh  Desi  Romance” from the heart ' is written instead of this manipulation where loose screenplay., there appears in the film duplication. Revenue for  foreign films romance. thrive on Earth love overseas specializes in revenue showing films of “Shuddh  Desi Romance” is to turn to the side of the movie characters are normal human beings have failed in their life out in panic. Any criticality trembles from the dilemma instead of combat situations.  Raises the  portion of responsibility as soon as they marry. Love & romance evaporated.

Gayatri Raghu and talk-behavior and decisions we glimpse of today's youth. love don't feel them, but having them in the name of marriage fever. Many of them love Arpan, but marriage lacks dedication. Writer-director both of love and romance today (boy & girl) is seen and assessed aspects. Once Raghu Wedding Pavilion is run by and for the second time from which these two Gayatri Tara. He is madly in love life balanced and insightful. Other  than  Goyal  (Rishi  Kapoor) also commented on their attitude and approach are they do But do keep your party rotund appearance is no indication.

Love and romance of youth's wavering and vague attitude in the movie depicted well. good thing that  “Shuddh  Desi Romance”  in yuvtiyan decisions. They are free. The family or social pressure to achieve economic independence from them is the other freedom too. “Shuddh Desi Romance” trio of character are trusted and our surrounding their things, Interactions and nights we thought of today's youngster.

Pariniti  Chopra  into a cohesive new generation actress. She introduced the  Gayatri effortlessly. Pariniti  does not act is typical of the reactions, eye movement. Small and reveal his sense of  haseen  grin. Raghu  durbaltaon  Rajput  Sushant Singh on his characters dealt with the role in the film they have aligned nikhre. Declares its debut of the camphor are hypnotized But acting is the capuchin.

Film  songs-music and theme.  Jaideep  Sahni  Kabul in Hindi films songs Groove. They seem to communicate and arrange over the exclamation.


Tuesday, 3 September 2013

Movie total makes it clear that producer-director an event without a predilection to Suhail Tatari. Based on true events, many directed their realistic TV shows to not hard. This time they almost two hours was an effective story shown. Its purpose they are successful in this film is fun Because romance and comedy. The film Blues. Increased depression.

Medical doctor's negligence and money game in which we are all familiar with. Healthcare has become a lucrative business. Dr. Asthana (of Menon) own a profession efficient, but due to numerous commercial mindset tend to ignore their talent needs convincing Ramesh (Arjun Mathur) my girlfriend RIA (Visakha Singh) with the purpose of their hospital internship learning. In the initial scenes of Bhidnat becomes apparent that Dr. Ramesh will open soon a Asthana pole.

Hospital in a normal operation of  Dr. Asthana Ankur Arora's negligence and arrogance than murderous. Ramesh goes to the roots of the death and take the case to the Court. The writer-director team shoots Aurora murder case on ' medical negligence ' is also keeping potential . Medical Propheshan aware of individuals may see some factual mistakes But the facts would not entertain visitors from Navakiphyat.

The film exposes the duality of medical Propheshan is the duality of the two with Ramesh and RIA end. Ankur Arora's mother and her colleagues in collaboration with Vikram Bhatt and Suhail tatari have shown new dimension relationships. Ankur Arora's mother in tiska Chopra janchati. Young actor Arjun, Mathur ,Ramesh disappointed in the role of Vishakha Singh just miserable and Duvidhagrast live. His character can be developed a little more. Film a central character of Menon, Dr. Asthana's ego is expressed well in his  kind of pause and elation.


 Mumbai's Police Department has had four officers responsibility that they terminate the ongoing gang war of Rlda Andarav town peace-peace in this objective in their style, a reasonably successful, but came from the CBI Delhi's top official investigation reveals a few more things than investigation. Politics and Andarav are strings of Rlda appear.

Politics, crime and several films on the backdrop of Mumbai. Ashu trikha's deewaanapan's new offer ' enemy ' with some new twist and turn. He has been seen repeatedly in stories to create novelty. some are fabricated a new view is assigned to main character experienced charecters. Drama and action levels have increased from its ' enemy ' still limits passed.

In this film, although several characters, but look around story of the Mukhtar. Mukhtar in Zakir Hussain best actor his best performance. They are simple, good and bad are also spot some new tax. In their character which the writer-director has worked hard.

' Enemy ' Sunil Shetty, Gemini Chakraborty, Johnny lever, Menon and Mahaakshay to his roles vibrant bumper. Johnny Lever acting in different roles from his habitsbaz. Of Menon and Sunil Shetty appeared hard. Film Gemini and his son Mahaakshay were given special attention.

Where the father Gemini, son mahaakshay everything is easy in every scene do. Eighth-ninth decade culminating in the style of the movies stunts of Masala films audiences even today. They film Bhaegi, but some better use his talents to Ashu trikha's deewaanapan depicting subjects.


Director Sanjay Gupta that have been fractured and be dead from heart failure should show his story Surve's jubani. Carotid Surve was killed at the beginning of the ninth decade a gangster. Shutaaut the same writer-director at Kurla gangster and join spicy killing events. IN addition to the names of all carotid Surve changed roles, but the film propaganda during and prior to that unit turned out from all of the news that the film is actually David Dilavar Ibrahim Mumbai's initial story of gang war and encounter.

Get started in a few scenes of middle-class family aspiring young man following carotid. Changing your carotid studies mother cherished life. his longing then suddenly changes when he killed big brother step motherly treatment meted to save lives by an accused is assumed it is rs5 penalty.

It is the conviction of rs5. Killing of big brother in jail after he joins the world of well-prepared crime happens here his brushes from the Hksar brothers gang war between police officer Aphak, who want to draw around Mumbai to perpetrators. encounter for carotid and choosing arguing in carotid Dilabar unclear. Environment and background writer-director rich abusing co-star, firing and violence scenes which opportunity. Writer-director is the eighth-ninth decade these scenes films shot in the Stayal. Order of music and events and pash rrva illustration that reminds me of the films of the Kadar Khan of communications.. each character is speaking dialogue i.e. "dialoguebaji".

Come to meet his girlfriend in prison carotid lore says "capture you age, sentence I am suffering." according to rest their background roles are similar dialog in addition to writer-director sex and violence. Pornography also resorts. in addition to the lore of the carotid and two beds, three item song scene Priyanka Chopra Sunny leon on the provocative, Sophie Chaudhary way shot.

Go to brothel and call hobby of carotid. Writer-director has found good excuse. Angadikhau hot presentation these songs and style Director of clear. Sanjay Gupta general audience want to take advantage of the sexual glands. Shootout at kurla remained at an ordinary film "underworld”, including sex.Spiced mixture of violence, pornography and is the eighth-ninth decade in movies.

Twenty-five years after presenting his film in the same tradition by Sanjay Gupta., communication and Visual structure in the presentation with a clear impression that round. John Abraham and Anil Kapoor roles hard on writers more. them good space. John Abraham, brings his entire hard and hard color. Anil Kapoor's role and act both potential. the rest of the cast Manoj Bajpai in a small roll with your abilities. Sonu Sood appear vulnerable due to come with them and their limits.


Two decades ago there was romance and life of the partial Aashiqui somewhat and was thinking all that boisterous. love and could achieve something and victorious in partial Aashiqui-2's is a romance and life purpose. this time too boisterous love. it is the 21st century's second decade. this time we can't imagine of a romance .So naturally, 2. film Aashiqui hero desperate antics frustrate us.He is not victorious has raised for his move your mashuka. the rational so hargis. he does not inspire the Blues to us. Mohit Suri, sad love story into the 21st century. in this story are in the tradition of sacrifice and sacrificing touch, but what happens today or maybe?

Rahul's career came in the boom is on the irritable and surly ups. the loser cast their insecurities like treats the Atmahanta miss him so, but has lost the necessary dedication towards creation it seems influential voice of the ascending it is trying to get to the right place is to look after the Affairs of dramatic film. their insistence the success succeeds As well as its difficulties started.

Two or three shots also like vanity movie. we see that man ascending to their love and give career promise. Rahul realizes his blunders, but like any addict, he is also vulnerable moments dig this Aashiqui 2 hero we cut. his last decision we are exasperating.Mohit Suri has Rafiq of the 21st century Shaguphta sad love story for Aditya Roy Kapoor and Rahul Kapoor. reverence and ascending one of their roles is the newness novelty came after interval both attraction. we playing the role of Aditya ... appear in loopholes. actually it's author and Director of the success that we see in the deficiencies of character actors. Aditya's life And disappoints us disorganization of thinking.

 Despite the dedication of reverence real the second decade of the 21st century it seems uncomfortable in the environment raises the question whether success in mind touching a girl my boyfriend can sacrifice everything seems incredible, but what Aashiqui-2 every Premkahani incredible. Hindi films in the tradition of the Blues and a pre-independence tragic loser? Premkahaniyon. moving on the same rut Aashiqui 2. Additionally Bhatt camp films Wasteful repetition of scenes too nostalgic.

Aashiqui 2 songs-music story boosted chances lyrics to be away of chemicals before. background ready. theme song-like you're enjoying that highlight the love of Rahul and ascending.
A few years ago, film producer, Director or actor play safe bets when you launch your son. trade is a story based on the formula selected, hit that more and more people like. this hit song, fighting, little emotion and comedy so that new hero/heroine quite complete package passed now round eye.But some people still stranded there.

Girish Kumar, the son of Kumar Taurani tips "Ramaiya Vastavaiya" began his journey as a hero of the 'Ajmai Taurani' was thousands of times for his son's love story film directed by Telugu film ' Prabhudeva. 'Nuvvostanante Nuvvostanante ' Hindi Telugu movie remake, while it ' I loved ' was affected by that that story this has squeezed the juice of sugar cane so that it starts from rest. This is the last to know what's going to happen next.

"Ramaiya vastavaiya" directed by Prabhudeva. such successful films in Hindi he wanted and Raudi Rathore. how spices should be presented this work them well. these two films was the presentation of the same stars Karan where freshness was also, but two things are missing from" Ramaiya Vastavaiya., according to today's round changes Prabhudeva. College reading-heroine to clay horse See funny little plays with.

Start of the film starts with overreacting and that moves the end love story in hero-heroine seem wanting each other, but the wall economic asymmetry. Australia in hero who lives in the village of heroines and didn't work, his brother asks for the hand of heroine.

Heroine's brother says the hero's mother is insulted by the farmer because farming more grains to produce heroes show. cow-Buffalo dung soaked in mud and the clear hero takes this stake to win it are fed food tart every day why it is beyond understanding the flat are also putting some story-turned-villain since fighting seems to be stalling on the comedy scene.-moving Jokranuma Activities. it appears that fifteen years old watching movies.

Director Prabhudeva as some original thought and not the default formula film. Hero-heroine's love and pain do not realize the audience. Sachin-liver took good live music is ' just as there are one or two ganen who hits.
Girish Kumar the hero talk, for whom "Ramaiya Vastavaiya" movie has been built has been the hard work behind. Girish cleans her reflection that they want the artist to become a star instead of the stars-star also.. He appears normal. dance and fight rectified. to them for acting hard, And they can accomplish their dream.

Shruti Hassan beautiful and good acting too. this film got a chance to show them something. Girish benefit, benefits of course this movie Shruti. Hero weak, supporting cast upon hard. Randhir Kapoor, Vinod Khanna, Amitabh Bachchan, Satish Shah, Poonam Dhillon go VindZakir Hussain, Nasser, like many artists, but a powerful role as the heroine's brother is Sonu Sood are influential.
Ramaiya Vastavaiya "fifteen year old" large choose typical Bollywood movie.

Sunday, 1 September 2013

Whenever any leakage already formulated its Director running path of trying new genre chooses, we already begin to question what is needed? Our habit, we have seen tough for himself and not leaving his Beloved of filmmakers thinking, no changes in style and subject‌ want. The prince Gupta ‘Ghanchakkar' such a surrounded by doubts. He and his courageous step like two old fundamental efforts successful is trying this time also? meaningless laugh of comedy means we trapped in conditions or understanding story. Of the 21 st century Ghanchakkar comedy new age. Preeminence, conditions, maintenance and in formulation from tradition and contemporary Ghanchakkar 'prince Gupta, Hindi cinema shown that new expansion on the move.


Ordinary C story. Marathi Sanjay Aitareya Brahaman Imran Hashmi and Nitu Vidya Valan husband, wife ‌you. Both of these deflective marriage. Due to his differences them remains. Both of each other while tolerate the atrocities are discharge of marital Love between them and confidence. Questions of employment and do not come watch bore they answers Marathi quality of her husband slightly lazy and loose lazy person, whereas a stone punjabi ‌wife fashionable and Hyper. In open lock and was assaulted a Ustad Sanjay alias Sonju offer, getting sum of theft which he would get 10 crores from Wife was in the hope of better life Sonju consent from theft. Pandit Rajesh Sharma and Idris Namit Das with his cooperation and. That fixed amount of theft should be given three months hidden When things are silent, then division of share. This after consent Sanju in memory of an accident. Remember the Sanju suitcase does not keep where. Pandit and other hand Idris think that in the minds of Sonju shortages. All these separate Nitu fantasy their lives in the world. Story begins from here and a powerful twist ended with.
Praise of Prince Gupta will have to the story that he suspance maintained to its opening. Slow pace of the story never certainly fast and sometimes, but not missed catch of Director. They Imran Hashmi and learning of Balan full support. By the end both his films in artist. Continuous success of previous films and especially despite image and reputation both by the artists 'Ghanchakkar' remarkable selection of bold step.
Different from its image Imran Hashmi a weak, and the neighboring preeminence simple primacy to promise. Vidya Valan that can be said about. He Nitu purdah with feature presented on its. Nitu expression’s  of the successful. Many times knowing by Punjabi slipped from his conversations. Rajesh Sharma and Namit Das carrykechar remained silent from their shield them maintained interest. Film artist came last in scenes with his role not impressive.
Rajkumar Gupta, everyday life in selected humor. Comedy of this film come from reality and real depiction of black comedy seems overlying. In some dialog and scenes story of lack confidence. However Prince Gupta, with the seriousness and Innovation remained silent Rishis and composed these deficiencies, they are covered. In this they Imran Hashmi and learning from Balan helps.

Film songs in use of music. To keep pace of the film in Western‌ contribution of music.
It was drizzling while coronation ceremony of the films in small Monsoon is going on. 'Chor Chor Super Chor' of Delhi mayapuri area network of film. Shukla been nourished on and taught them. It to one of them not good Satveer disappear. It is no work consi-dered a want to.
Beginning of life with their colleagues while separate killed were Neena Devi & its eyes on them. He killed were Neena Devi & love. From your simplicity near the killed were Neena Devi & is realized, it is a large speed. The successful even its speed. Shows that Satveer sensible and layman.
Director Rajesh of Delhi without the life of streets leads it by fanfare. Ordinary role in the film and all of them small wishes. These forceful personality impressed itself depicted the Director has interesting manner. Instead of singing in the film some unwanted can be added, strongly visual rise of the film declines.

Deepak Dobriyal reliable actor. He script and limits of film narrator despite maintained. Election of associate artists better. The Director of help of all. ‘Chor Chor Super Chor’ in super was exceptionally good natured, but also a bought.
The Nikhil Advani's 'D-Day' and India's national dream of publicity was neglecting. hiding in neighboring country a most wanted terrorist alive hatched to India has been a fantasy. Four main role this fantasy Indian. They Karachi city of Pakistan terrorist Iqbal alias Goldman to bring risked life and feelings. Their interest, love and courage, but is proud of the film in scenes last Iqbal's conversations that is evident from the film writer-director of the thinking? glorious beginning of film, but by the end with no political understanding-nth who was very eager film.
The most wanted American agencies Osama bin Laden was shot down and then formed a film on the 'Zero dark thirty'.  India's most wanted we do not get any clue, but we had to bring India was neglecting or that have made a fantasy and took Happy India's most wanted‌ present condition of the country and on what thinks? It is heard in climax. Certainly the author-Director has now decided that what seemed Iqbal? speak he speaking barkha, Rajdeep and Arnav name also like takes political TV journalists. All efforts by coming here ridiculous and lax. That he was stopped while criminal It also cannot say that a film on me again wounded and all Film Critic review RFC
D-Day is a fantasy. India's most wanted hold to India's national dream DIRECTOR Nikhil Advani has completed in film. For the mission on behalf of raw four persons are appointed . Long round in Karachi. They most wanted to besiege of reaching regimen and about you not ‌are engaged in The news of newspaper lose a few scenes and incidents has been converted into. These four persons them adjusted. Chance that Indian raw agents in foreign countries, Pakistan are secret mission on tend to love girls. Here, storyland of Pakistan. Both love hero. One of the whole family and the second is a bus from tavayaf love. They love in its mission analyst does not forget to cast the Mission and emossion tossing between him entangled in actind performed. Irfan, Arjuna cellphone, Shriswara and Shruti Hassan, writer-director of the wonderfully fulfilled this responsibility. Of their ingenious film itself acting theme damaged in thriller Koi Hai were main force, because this I Spy is going romance, commitment and love has been imposed. Therefore weak Huma Qureshi are lying in this mission that they love to do not been shown. Already married his has been using jhi and it was said that because of his marital duty in danger.

The implications such 'D-Day' due to ordinary film. In this simple film Irfan, Arjuna cellphone and other ingenious suit extravagance of talent of artists. Question that only most wanted to bring the audience choice story of not come? Writer-director weaken the dilemma of film itself.
Anand Gandhi's 'Ship Of Thesis' film. Some aspects of his life in philosophical style of presentation left with question. The question of human life, unanswered and touch the story. Art in films for viewers requiring Kiran Rao is of artistic souvenir. Lyrics than anything elsea lengthy and structure, Silpa and Anand Gandhi in Hindi and presentation of art film directors from tradition together. Try their this bold is laudable, because at present 'entertainment’ Hindi cinema has become synonymous 'entertainment’.
Anand Gandhi path of between not made of choosing. They artist in their style. For viewers to woo acknowledges in this film or nothing. Basically Three stories from a source of the human dignity spanning the film, existence and nearly natural questions.
Qusai, we see story of maitreya and innovative. At the end of the film shows that, and even eligible, whose stories ignored. In this world are changed man inventing even if is changing. There is nothing static, but everything unstable.
Ship of Thesis component component after to change the question was raised whether it is still thesis ship of all those spare parts and whether the new emphasis, he made ship of thesis? We sense in their life, consideration and organs transplant. After this process whether we are same same of or any new form to take? If new form of original do noun, whether he can be given?

Anand Gandhi's 'ship of Thesis' scenes fast speed of the audience choice would not accustomed Of this film for unhesitatingly patience and dedication necessary. 'Fast & hood' kaisokin audiences also should see that the film slow-, stable and beauty culture with a mixture of what Anand created?
To attract viewers and theater to bring in has increased so much pressure that most film more than his film its varnish, Poster engaged to focus on and promo. He vested in this attention seduction, which is opening the audience for collection and weakand theaters drawing in. Rakesh Om Prakash Mehra also have been pressure, but an honest Film maker of his generation he connected to film from taken honest simplicity.
It is clear that this film Jeev Milkha Singh is not autobiography or autobiography It is a story of vigor and resolution, which is working hard, full will power and dedication. Milkha part motive' film 'part. It viewers of all ages in view and call Milkha Singh. We Flying Sikh Milkha Singh also knew by the name. This name they President of Pakistan Ayub Khan. Solicitor-general is that after Partition, with the washing of the Kalus Sauhardya love and with the objective of increasing Jawaharlal Nehru and between both the countries Ayub Khan tournament was organized Because of past sting Jeev Milkha Singh has already refused to Pakistan, but on the insistence of Nehru were Pakistan In this visit of his mind pain. The childhood friend of man of the statement, not field field field conditions are evil.
The minds of disorders of Milkha awaits. In the beginning of the film we see that due to the sting of this past Jeev Milkha Singh couldn't win Olympic medal rome That may Jeev Milkha Singh came in the minds of after thought or Rakesh Omprakash Mehra and their defeat Prasoon Joshi also are trying to relevant. However, we Milkha Singh vigor and are inspired by Look into Jeev Milkha Singh, after independence, which are representatives of those youth dreams of Nehru era with increasing on behalf of non target.
According to the film first Beeru, then milk and eggs, then Indian team blazer Jeev Milkha Singh for his life a halt to cross. In this visit sister Isri always there. Jeev Milkha Singh's sister Isri Bhawoderk of wet eyes in many scenes. Of happiness and our sentiments Isri also  throat. Jeev Milkha Singh came in life's Military Chief‌ both coach and he.Prakashraj the Ustad in the role of acting masters. Coach to both wonderful Milkha and free interests exemplary dedication. Thinking of players have, is thinking of vests and mold beasts panted it.
Prasoon Joshi has very effectively beauty and partition of the country in the film dough. Jeev Milkha Singh victory of race for runners-defeat with also life continues. Prasoon Joshi flashback crafts and then it from an interesting dimension to the story. Milkha character of our interest in. We aspire for victory, but also want to know other things also. Writer-Director has to these want’s small sights, relations and ramifications.
Collaborative artists of this film mentioned the first. The role of life Milkha necessary sister, both coaches, Beero and other friends etc. have become necessary for the film. These remained silent late Divya Dutta, wind Malhotra, Yogiraj Singh, Prakash Raj, etc. Especially late Divya Dutta and far-reaching affects coupling wind Malhotra. Both actor really any age, the character of disposition and community life.
To this film Farhan Akhtar, the artists of his generation before new criteria has been set up. For real or imaginary films Artist's hard work and dedication this new bench marks. Milkha Farhan Akhtar, the external forms of internal sour with assimilated also. They finally Milkha Singh remained from the beginning. The artist became child Milkha appropriate for the ground.
Milkha part' 'part mainly track, Stadium, race and Sports related design of other scenes. Cameraman Binod Koijam choose angles of Pradhan has scenes in screenplay and their introduction of creative imagination. We are baffling camera that how and where can be kept. Song-music theme of the film. Some songs were ordinary members to hear, but they come with suitable scenes feeling sense. Milkha tossing between the enthusiasm and also Prasoon Joshi motive word.

Milkha part' 'part in the Nehru era an ambitious dream of youth front, which is story wonderfully Rakesh Omprakash Mehra has the viewers with the environment and society. The film Kishore and the audience must see young-should show.