Sunday, 1 September 2013

Whenever any leakage already formulated its Director running path of trying new genre chooses, we already begin to question what is needed? Our habit, we have seen tough for himself and not leaving his Beloved of filmmakers thinking, no changes in style and subject‌ want. The prince Gupta ‘Ghanchakkar' such a surrounded by doubts. He and his courageous step like two old fundamental efforts successful is trying this time also? meaningless laugh of comedy means we trapped in conditions or understanding story. Of the 21 st century Ghanchakkar comedy new age. Preeminence, conditions, maintenance and in formulation from tradition and contemporary Ghanchakkar 'prince Gupta, Hindi cinema shown that new expansion on the move.


Ordinary C story. Marathi Sanjay Aitareya Brahaman Imran Hashmi and Nitu Vidya Valan husband, wife ‌you. Both of these deflective marriage. Due to his differences them remains. Both of each other while tolerate the atrocities are discharge of marital Love between them and confidence. Questions of employment and do not come watch bore they answers Marathi quality of her husband slightly lazy and loose lazy person, whereas a stone punjabi ‌wife fashionable and Hyper. In open lock and was assaulted a Ustad Sanjay alias Sonju offer, getting sum of theft which he would get 10 crores from Wife was in the hope of better life Sonju consent from theft. Pandit Rajesh Sharma and Idris Namit Das with his cooperation and. That fixed amount of theft should be given three months hidden When things are silent, then division of share. This after consent Sanju in memory of an accident. Remember the Sanju suitcase does not keep where. Pandit and other hand Idris think that in the minds of Sonju shortages. All these separate Nitu fantasy their lives in the world. Story begins from here and a powerful twist ended with.
Praise of Prince Gupta will have to the story that he suspance maintained to its opening. Slow pace of the story never certainly fast and sometimes, but not missed catch of Director. They Imran Hashmi and learning of Balan full support. By the end both his films in artist. Continuous success of previous films and especially despite image and reputation both by the artists 'Ghanchakkar' remarkable selection of bold step.
Different from its image Imran Hashmi a weak, and the neighboring preeminence simple primacy to promise. Vidya Valan that can be said about. He Nitu purdah with feature presented on its. Nitu expression’s  of the successful. Many times knowing by Punjabi slipped from his conversations. Rajesh Sharma and Namit Das carrykechar remained silent from their shield them maintained interest. Film artist came last in scenes with his role not impressive.
Rajkumar Gupta, everyday life in selected humor. Comedy of this film come from reality and real depiction of black comedy seems overlying. In some dialog and scenes story of lack confidence. However Prince Gupta, with the seriousness and Innovation remained silent Rishis and composed these deficiencies, they are covered. In this they Imran Hashmi and learning from Balan helps.

Film songs in use of music. To keep pace of the film in Western‌ contribution of music.

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